Monday, November 13, 2006

art school confidential...

I agree with David... didn't hate it. I was dissapointed with it though. I expected a comedy about the oddities of art school, what I got was a teenage "love" story / murder mystery. There were funny parts but none that weren't in the trailer. The trailer was great the movie was sub par. (I felt the same about Shop Girl and its trailer.) You're not missing anything if you drop this one out of your que.

Saturday, November 11, 2006

Movies I've seen recently

I can't post about them all at length, but I thought I'd throw out a list of what I've watched over the last few months with very, very brief comments (Susan's comments in purple):
  • I [Heart] Huckabees - characteristically postmodern, a movie about nothingness but an entertaining flick nonetheless
  • Saved! - funny and too close to home at times but ultimately based on a narrow view of Christianity, the other side of the coin (the movie makes fun of Christians for being too narrow-minded, but the only way resolution is found is by turning their backs on at least some aspects of the faith, which is equally narrow-minded in an Opposites Day kind of way); The Breakfast Club with Jesus
  • Lost: Season 2 - weirder than the 1st season - I'm slowly losing interest
  • Art School Confidential - I didn't hate it, but it is more social commentary than anything; I think the writer has a bit of a chip on his shoulder; plenty of things that don't make sense, but the goal of the movie is obviously making a point rather than making a good movie
  • Hudsucker Proxy - enjoyed it, but not great
  • So I Married an Axe Murderer - love the Scottish dad and the poetry, can do without the rest, but it was Mike Meyers' first swipe at a flick, so I'll cut him some slack and watch it agian within the next 5 years; Heed! Pants! Now!
  • Grizzly Man - amazing movie! The subject was fascinating on its own, but the filmmaker did a wonderful job piecing together the footage and getting into Treadwell's head in a sympathetic yet objective way, and the music was good, too. If it were a poorly done movie on Treadwell, it would be good. If it were done this well but on a boring subject, it would be good. Fortunately, this was a combination of both.
  • Ray - painful because I love Ray Charles, but that's part of its charm, that you are drawn in on an emotional level and ride the highs and lows with Jamie Foxx. I love a movie that I can be emotionally involved with. And the music is fantastic as well - Foxx has a degree in classical piano. So, it's a keeper.
  • To Kill a Mockingbird - good movie, but I preferred the book - I wasn't as drawn into the movie as I was the book, on an emotional level.
  • Kingpin - a great, yet often nasty, movie. This is one of those comedies that has lines that I use on a regular basis because they are so damn funny. And I love Bill Murray, especially when he's a jerk (which seems to be his role in most of his recent films).
  • Broken Flowers - speaking of Bill Murray as a jerk, this is another one about the emptiness of life and being forever haunted by your actions (or inactions), but it's still worth watching, though not buying - just remember that it's not a Wes Anderson, even though at times it feels like it is.
  • Crash - do I have to do this again?
  • Donnie Darko - I can't tell you my true feelings because Jason won't be my friend any longer. Watch it, then call him so he can explain it to you.
  • Rushmore - I love Wes Anderson, even though this is my least favorite of his works.
  • Junebug - I hated it, personally. I hate movies that portray Southerners as stupid rednecks, where the only people who are worth a crap are the ones who leave the South. And I took it personally the inaccurate depection of Howard Finster - he was an amazing artist, obsessed with angels and not the nasty stuff that this guy was in to - don't drag Finster's image thru the mud, damn you.
  • Meet the Fockers - about like the first, predictable and unoriginal, like most main stream comedies (on tv and movies)
  • Fletch - one of my all time favorites - I LOVE Chevy Chase, and this movie inspired me to become a huge smartass; without it, a huge part of my personality would be missing. It's a rare mix between a comdey and drama where there's actually a little bit of drama/mystery. Great, great movie. You might have to take it back from me, Jason.
  • Life Aquatic with Steve Zissou - My favorite of the Wes Anderson movies (I've been a fan since I was a senior in high school, when Bottle Rocket came out).
  • Midnight in the Garden of Good and Evil - blah - maybe the book was good, but the movie didn't do much for me.

Great trailer

I'm planning to write about all the movies I've seen lately (which is actually a lot, thanks to Netflix), but until that time, I want to share this trailer with everyone - check it out - it looks great!

Monday, November 06, 2006

Bubba Ho-Tep




I'd heard some friends talking about this crazy movie with Bruce Campbell (Evil Dead / Army of Darkness) as a decrepit Elvis Preslely living in an old folks home in East Texas who ends up fighting an Egyptian Mummy. So two and a half years ago when I saw Bubba Ho-Tep sitting on the Movie Gallery shelf for a mere $14 I couldn't pass it up. I watched it the day I bought it and thought it was brilliant. But I think I was just in awe that someone came up with such a ridiculous story because all I remembered about it was that I thought it was funny. This past saturday night I was having trouble sleeping (which sadly is becoming the norm for me) so I poked around through my movies and decided to give this one another go. Again, I fell in love with this quirky story, but this time I laughed far less. The less I laughed the more I found myself thinking about the complexities of the "American Hero," growing old, and the pain of being forgotten... or worse yet, never really being known.

I usually try not to give too much of the story away in my reviews, however this time I feel like I have to explain the story a little more in depth in order to build the foundation for talking about what I think is actually at the heart of the movie here. SO if you don't want the story spoiled stop here, watch the movie, then come back and read and disagree with me in the comments section.

Here's the story... first off the King is not dead; he's in a retirement home in Texas. Back in his heyday he got so burned out, from drugs, shows, people loving his image and caring nothing for who he was, so he cooks up a scheme to escape the from monster that his manager, the record labels, movie studios, and the American public had created. He tracks down the worlds best Elvis imitator, Sebastian Hath, and swaps places with him. He draws up a contract stating that anytime he wants to he can swap back. Unfortunately the contract is lost and the real Sebastian now pretending to be the actual Elvis, has a weak heart and love for drugs, food, and women, which eventually lead to his death. The general public thinks Elvis is gone, but he's not, he just has no way of proving that he swapped places with the now dead guy. His only means of income is to continue on as Sebastian Hath impersonating himself. Let me stop here and say, if that were the entire movie... money well spent... thats genius. Fame creates a persona that gets forced on a guy. He rebels and escapes, only to be forced by fate back into his original role of playacting. Brilliant! And there's a lot to think about there, but the story gets thicker.

While in the home, Elvis, starts seeing people around him die. He knows it comes with the territory, but these folks deaths combined with an odd encounter with a huge scarab and the discovery of some ancient Egyptian hieroglyphics on the wall of the guest bathroom are enough to rattle the King's cage a bit. While wading through these strange experiences Elvis meets an unlikely companion. Former president Kennedy. Yep JFK is still alive too and in the same nursing home as Elvis. Well with the combined forces of the King of Rock n' Roll and americas most Rockin' president its time to get to the bottom of this mystery. Well long story short (kinda) a cursed mummy is on the loose eating people's souls to stay alive. He chooses the old folks home because its easy prey and also the residents are expected to die so the frequent deaths should raise no suspicion. This is one smart mummy. But he needs to eat frequently because old souls aren't all that nutritious. Well when the King and JFK figure out exactly whats going on its time to "T.C.B baby." (take care of bin-iss)

I think the writer of this film chose his characters very wisely. Elvis Presley, the all american pop hero, and JFK the only rock star president our nation has ever had, both who live on as legends due to their deaths. These guys were huge, as big as anyone can be I suppose, and their deaths only made them bigger icons. So to subvert the idea of the American hero, what better way to imagine that the two heroes immortalized by their deaths aren't dead at all but still kickin' it as nobody nut-jobs in a nursing home in rural Texas. (In the story the only people that believe Elvis and JFK are who they claim to be, are Elvis and JFK everyone else thinks they are crazy) Two of Modern American History's biggest icons that have been stripped of all that made them icons... their personas, their fame, their positions, their youth, and even in an odd way, their deaths. They were stripped of all that had made them who they were... or a better way to say it... they were stripped of all that the public had made them out to be and expected them to be. The question I found myself asking was, "What deems a person valuable?"

Well as if all that weren't enough to think about there's another level to the story. Aside from the position that JFK and the King find themselves in, forgotten and alone, they now are seeing that this Mummy is eating their friends' souls. What troubles them most about this is, oddly enough, the fact that they found hieroglyphics on the "shit house wall" means that the mummy eventually has to take a dump. Well if the only thing that he eats to sustain him is souls, and he then just shits them out that means that the souls of the people he eats don't get to rest anywhere, they just go down the toilet. So as if it weren't enough dealing with being old, forgotten, misunderstood, and all that jazz, now the boys have to fight to keep the one thing they've still got... their souls. They both know they are going to die, but they want to at least to have their souls live on. Isn't that a pretty common hope? To die well. To die and have peace. Its my hope, thats one of the reasons I believe the things I do, that when I die there will be peace. Its an odd way of getting at it, but in the end this film, to me, reflects so much of the common hope that people have. To not be alone, to not be forgotten, to be known for who you are not who you're made out to be, and if old age is inescapable to die well. This film also does an amazing job of conveying the pain of getting old... how unnatural the decay of the body is... and again eludes to the hope of an existence where the body doesn't waste away and where souls are free.

Its a great movie on so many levels. Its just plain entertaining, amazingly well contrived, funny, and there's a lot there to think about. Give it a watch, its worth the time. There are some pretty crude comments pertaining to male old age, but nothing that anyone hasn't heard before.

Long live the King!